Washed in the sorrows of nine morally corrupted characters, this 1971 German play embeds the fears of drunken misfits who share their concern towards issues that are much too familiar to the ones we all still face today.  

Written by Rainer Werner Fassbinder and picked up by  Blood On The Cat’s Neck challenges the way we observe both theatre as well as otDirector Saro Luxty-Cavallari,hers, and invites us to be voyeurs into the characters' tragic wins and failures. Entering a bar scene, the audience steps into and onto stage to become part of a set that would seem empty without them. This interactive element is a powerful decision that lets us determine where to stand as we are witness to the torments on display.